Past
Clients Rave About Margie...
"There are so many acting teachers
out there, and I've studied with some of the best, but for auditioning,
there's only Margie."
HEATHER LOCKLEAR (Boston Legal, LAX,
Scrubs, Spin City, Melrose Place)
"..I came to see Margie, worked with
her, got a whole bunch of great ideas and was so prepared to go back.
I was going to go get this job and I was gonna knock their socks off
because I was so ready.."
HALLE BERRY (Die
Another Day, X-Men, Monster's Ball, Introducing Dorothy Dandridge, Bulworth)
"What can I say about Margie Haber and
her incredible staff of acting coaches? One word? Amazing. I've studied
at several different acting studios/ classes with numerous teachers
and coaches in New York, Chicago and Los Angeles and I have to say,
no other place prepared me for the real world of auditioning and landing
a job as well as the Margie Haber Studio has. I hardly ever felt comfortable
auditioning before studying with Margie and thank God I found her because
her's is the most practical, hands on, and easiest to grasp technique
I have used and its a testiment to her and her staff that I have realized
the success and accomplishments I have always dreamed of! What I loved
about going to Margie's studio was that it was a fun place to practice
the techniques that made sense to me compared to other places I had
been and she created an environment where I was challenged yet felt
incredibly supported. She taught us to expect the unexpected (i.e. her
dog licking my feet in the middle of a practice audition), use it to
our advantage, guided us in making the most creative and strongest choices,
and encouraged us to be fully committed to what we set out to do which
most good acting classes teach. The thing that set's Margie's studio
apart from everywhere else I studied, however, is that on a weekly basis,
you are put into a situation that simulates what a real audition is
like and its under those conditions that I realized not only how useful,
but essential, Margie's techniques are to getting the job and keeping
it! Thank you Margie to you and your entire staff! You rock!"
COLIN EGGLESFIELD (All My Children,
Must Love Dogs)
"Margie understands actors
and is wonderful with them. She has developed a fabulous technique for
auditioning and getting the job in a limited amount of time."
KELLY PRESTON (Jerry McGuire,
Twins, For Love of the Game)
"Margie Haber's workshop provides
a rare opportunity to examine your audition technique in a direct and
focused way."
LAURA INNES (E.R. - Emmy nomination)
"When I worked with Margie on the movie,
"Touch," I was all over the place until she centered my attention
on the other character and VOOM! I was suddenly focused. She's got the magic
touch and nice tits."
TOM ARNOLD (Happy Endings, True Lies,
Touch, Nine Months)
"I think that auditioning is
the hardest, most nerve-wracking part of being an actor. You could have
all the talent in the world, but if you don't shine in your audition,
you don't get the part. Margie's class really helped me relax, be comfortable
and confident about my audition process."
JOSIE BISSETT(Melrose Place, Book of Love)
"After Margie's second class
I got 'Days of Our Lives.' It's a testament to what she teaches. I really
believe that she helped me get this job. Her technique brought my confidence
up. It's concise, it's specific and I had a lot of fun."
LISA RINNA (Veronica Mars, Melrose Place,
Days of Our Lives)
What
Margie's Students Are Saying...
I had two student film auditions the week
after I attended your seminar, and, huh...I got a part in both of them!
(Nothing major, but not a coincidence either...) I hope
to see you again in the future after graduation when I venture out into
the Los Angeles Abyss. Thank you!
BENJAMIN FISHER -
BOSTON, OCTOBER 2005
Just wanted to thank you for your
wonderfully informative workshop at Emerson.... I loved it!!! I am currently
reading your book. I enjoy a chapter each night. Then I
spend time flipping through TV channels. As I watch the actors
on screen, I imagine putting your ideas to work. I can't tell
you what a wonderful asset the book has been already. Best
wishes and many thanks.
ALLYSSA MAURICE - BOSTON,
OCTOBER 2005
"Wow, the most valuable three days
I have spent as an actor! Margie creates an encouraging and caring
atmosphere where actors can take risks, learn and grow. I began
to see myself genuinely shine through in my work. There was a
dramatic improvement in the power of my performance. I can't wait
until my next audition!"
JOEL AUSTEN - ATLANTA, JUNE 2005
"Margie's class inspires you
to trust your work more completely and to utilize the phrase technique
quickly and effectively. Thank you, Margie, for giving me technique
that I used immediately!"
VICTORIA SPENCER SMITH - ATLANTA, JUNE 2005
"Finally, a class that prepares
the actor for the realities of the casting process. Margie's "10
Step Method" is studied in detail and adds new layers to the cold
reading process. By the end of the workshop, the art of auditioning
is no longer viewed as grueling process. I think it's a mandatory
class for those who seek that competitive edge. Thank you, Margie!"
ERIN ALANA - MIAMI, JUNE 2005
"I am forever indebted to Margie.
I had a humiliating audition experience once and I thought about quitting
acting. Then I took her workshop and she gave me the courage to go on
and want to act again. Thank you, Margie."
MIKEY BERKOWITZ - MIAMI, JUNE 2005
"Margie's seminar in London
was amazing. It would be a fantastic opportunity for UK actors
if Margie were to come back to London to do a week-end workshop.
I found the seminar quite emotional, as a lot of information, experience
and advice kicked into place. I'm more determined than ever to
make a permanent move and start working as an actor within the industry,
and I know I will need Margie's help."
SHERILL TURNER - LONDON, JULY 2005
"I attended your July seminar
in London. Two days later I got a call for an audition for "The
Bill," which is one of the UK's leading cop dramas. I went
on the audition the next day and blew them away and got the part!
Thanks for showing me what to do and how to make the best of the casting
process."
TERRY STONE - LONDON, JULY 2005
"The workshop was a huge learning
curve for me. It helped me to identify my fear of the script and
begin the process of overcoming it and just have an experience in the
moment. The most overwhelming part of the week-end for me was
the bond that was created between Margie and the group. I felt
both vulnerable and child-like in her presence, yet I felt safe to explore
those qualities in order to develop my characters. It was an overwhelming
week-end. I am so delighted to have done the workshop. I
believe this is only the beginning of my studies with Margie."
POILIN BRENNAN - DUBLIN, JULY 2005
"Margie know actors.
She is an actor. She knows people. I wouldn't say Margie
teaches actors how to act, but she teaches people how to behave truthfully.
She observes them and finds ways to help them free themselves up to
communicate and behave. That way they are open to respond honestly
to the stimuli of their environment and the circumstance's surrounding
it. In my opinion, that is fundamentally what acting is.
Watching, listening, experiencing and ultimately learning from Margie
in her class was a joy. That's the way it should be. Now
I look forward to auditioning because it's not about me anymore."
SEAN STEWART - DUBLIN, JULY 2005
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